Lake Effect
Laura Treacy Bentley
"Laura Bentley's eye is drawn to what others often overlook or refuse to examine, the detritus and back rooms and alleyways of a frightening and frightened world. Here are portraits of the broken and the maimed; here are narratives of hopelessness and redemption; here are strong lyric engagements with landscape; and here is the solace of geological time. This book charts a pilgrim's journey in language with growing assurance and control. It is a journey already rich with achievement."
~ Paula Meehan
Laura’s love of the people and landscapes of West Virginia, western Maryland, and Ireland is evident in her work. From earth to sky, this collection merges a lake effect of meditations that creates its own weather.
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Strange Weather
(Reprinted with permission from Small Press Review, 2007)
By Edwina Pendarvis
Lake Effect
By Laura Treacy Bentley
2006; 108 pp; Bird Dog Publishing
$14
Laura Treacy Bentley’s new book, Lake Effect, takes its title from a natural phenomenon in which local rain or snowfalls, sometimes accompanied by thunder and lightning are created by air moving across the surface of the lake. In so naming her book, Bentley identifies succinctly what good poetry does—creates its own atmosphere. This collection, published by Bird Dog Publishing, an imprint of Bottom Dog Press, does create its own weather. The atmosphere the poems create results from the author’s unique aesthetic, which finds a shivery beauty in strangeness and which confines sentimental impulses with a fine and lacy dusting of wit. Many of the poems have appeared elsewhere, in little magazines in the
Bentley lives in
Pensive, she stares at nimbus clouds and whispers Catherine,
Michael, and Margaret to the honeysuckle vines.
The Maid is not pulling her weight.
I hold my tongue, and remind myself
that she is, after all, a saint.
I rake impatiently at dead leaves,
my broken nails rimmed with humus,
mosquitoes singing descants in my ears.
Crawling between the rows,
I clear royal purple eggplant
and virgin zucchini of wind-scattered invaders.
A fleur-de-lis appears in her hand . . .
What’s new about Bentley’s poetry is the delicacy with which she balances wit, mystery, and the ordinary. Her work creates a feeling of suspension, as though one is caught in an upward flurry of snow. The whole collection has something of the feel of a haibon, a form that strings together journal entries and haiku. It immerses us in a world that is both natural and phantasmagorical by suggesting the author’s own simultaneous sensations of alienation and immersion, as shown in this excerpt from her magical tale of swimming in the city pool as a child:
The pool was painted eyeshadow blue.
Under its bright waters,
I swam with my eyes open,
until my body was steeped in chlorine:
Pale lips trembling, eyes squinting pinkeye,
hands and feet marbled with wrinkles.
And if it rained a thunderless rain, I stayed in,
the pool warm as bath water
under the icy raindrops.